Meet OUR Team

We’re a team of filmmakers, editors, and colorists who believe in the power of beautiful wedding stories. Each of us brings a unique skill set and creative passion to help you master cinematic wedding video color grading and elevate your editing craft.

Isabelle Crane

Lead Colorist

Isabelle is the visual brain behind SweetGrade’s signature aesthetic. With over 10 years of experience grading wedding films, documentaries, and short films, she specializes in soft natural palettes and cinematic wedding looks that feel warm, timeless, and emotionally resonant. Her knowledge of wedding LUTs for DaVinci Resolve and precise skin tone work has helped hundreds of editors streamline their workflows and elevate their visuals.

Daniel O’Mara

Workflow Specialist & Editor

Daniel designs and tests the wedding video workflows that keep editors efficient without sacrificing beauty. Known for his practical approach, Daniel creates optimized project structures in DaVinci Resolve for weddings, helping editors edit weddings fast while preserving creativity. He’s a trusted expert on node management, audio-sync systems, and the overall efficiency behind SweetGrade’s content.

Tiana Lopez

Cinematic Style Researcher

Tiana blends film theory with real-world color grading. She researches visual trends, analyzes film and wedding cinema aesthetics, and contributes in-depth content on developing a cinematic wedding look. She leads our creative direction when it comes to using mood boards, LUT layering, and scene-driven grading choices, ensuring SweetGrade articles are visually and conceptually strong.

Marcus Reed

Technical Writer & Tutorial Developer

Marcus transforms complex grading techniques into clear, step-by-step tutorials. With a background in wedding video editing and instructional design, he develops articles and walkthroughs focused on tools like DaVinci Resolve wedding preset usage, skin tone balancing, and cinematic grading in diverse environments. He ensures SweetGrade’s content is always practical, accessible, and grounded in real editorial challenges.